It's been a huge year for video games, and we've got more to come. Sadly they can't all be masterpieces, with many coming in under par or simply being good games that don't quite live up to expectations. Assassin's Creed is a good game, a game that I'd recommended everyone with a next-gen console experiences, but it's not the magnificent experience I and many others hoped it would be.
Right up until release the one thing that Ubisoft has been sure not to reveal is the twist in the storyline. This review won't spoil too many aspects of this, meaning you're safe to read on unless you absolutely don't want to know anything about the game prior to release. You play as Altair, an assassin who lived through the Third Crusade in 1191, but you don't exclusively play as him - I'll say no more.
The core goal is to restore your master's faith in you as an assassin by carrying out nine assassinations, which take you across the Holy Land, to Damascus, Acre, Jerusalem and Maysaf - with Maysaf being your initial gateway to the rest of the game world. This is really just a brief outline of the game. The full storyline is far deeper, featuring the expected twists and revelations, plus some infrequent and rather unexpected gameplay that will likely polarize opinion.
One of the most impressive aspects of the game is its size. The three main cities are huge, split into three distinct districts and full of citizens, guards, speakers, thugs, merchant stands, buildings, and just about everything you'd expect to see in a city from that era. The streets are full of people, and by full I mean packed. The first time you see Maysaf your jaw will hit the floor due to the game's beauty, but it's not until you walk the streets of one of the three main cities that you'll see what the game engine is really capable of. We've seen crowds in games before, but in Assassin's Creed it's been taken to a new level.
'We've seen crowds in games before, but in Assassin's Creed it's been taken to a new level.'
It's not just cosmetic either, although why that's the case needs a little explanation. When you enter a city you do so in order to find and assassinate a target. The process is practically the same throughout the game. Firstly you go to the Assassins Bureau in order to get some tips on where to look for clues about your target. You then head off into that area, which is usually in an area of the game map that's lacking detail. In order to draw this information onto your in-game map you need to scale numerous view points, which in turn displays the location of investigations.
Investigations are essential to your preparation, with each assassination needing a handful of investigations before you can carry out the deed. They can take a number of forms: eves dropping, pick pocketing, carrying out tasks for informants (collecting flags, stealth killing people) and interrogation (beating people up). I found pickpocketing and eves dropping to be by far the easiest, with both barely requiring more than pressing a button at the right time. The others are more difficult, especially the informant missions that require you to stealth kill people while walking the busy streets.
All the time you have to be aware of the guards and your current social status. Act like a normal citizen and you'll be fine, but act like a crazy man and the guards will get suspicious and start watching you. If your on-screen status starts flashing red it's time to take a low profile, and if that red dot gets bigger it's time to leg it. It's here that the game's huge number of citizens come into play. Imagine running through Oxford Street in London over your lunch hour, and you'll get some idea of what trying to outrun guards in Assassin's Creed is like - except you can take to the roofs.
Altair is highly agile, meaning he can leap from rooftop to rooftop, scale buildings and generally run across anything. When this works Assassin's Creed is at its brilliant best, with the feeling of freedom being unlike anything I've played, but it sadly doesn't always work as you want. Climbing can itself cause problems, with Altair often unwilling to lift himself up to a ledge that is clearly within reach. The guards are also great at throwing things at you, so you'll often be moments from pulling yourself onto a rooftop and then fall off after being hit by a rock or arrow. It might be smart AI, but it makes for highly annoying gameplay.
It doesn't help that the free-running aspect is a little hit and miss. Altair will run and jump in whichever direction you're pointing, so if you accidentally point off a building that has nothing beyond it except for a huge drop, you'll be falling - although it's never to your death - and even when you do die, you usually don't lose too much progress. Part of the problem stems from the way free-running works. You have to hold Right Trigger (Xbox 360) or R1 (PS3) as well as A (Xbox 360) or X (PS3). This then prevents you from manually controlling the camera with the right analogue stick, which in turn causes a few awkward camera angles and wayward jumps.