Hot Pursuit is an arcade racer through and through, with a definite touch of OutRun and Ridge Racer in its handling. This is most evident when cornering, with cars gripping the track and sliding around as if Scalextric models. There's really nothing to fault with regard to the handling model, with the cars never feeling anything but entirely under your control even when hurtling along at top speed while deploying a spike strip. And things just get even slicker when the tarmac is covered in a layer of water, making powersliding that bit more satisfying - so much so that I'd have been happy if the entire game was set within a storm.
Built into career mode is Autolog, a kind of social network for Hot Pursuit. The game tracks the achievements of your friends and lets you know what times they've set, giving you challenges to try and beat. You can add text to a Wall, egging friends on to try and beat your times or simply post up pictures of your favourite parts of the county - although on-the-fly pics snapped mid-race are sadly not HD, with the pause menu photo mode being the only way to take lovely crisp pictures.
While Autolog is excellent, and something I wish all racing games had in some shape or form, it's not quite as revolutionary as EA and Criterion seem to want us to think. For one, a lot of what is does appeared in Activision and Bizarre Creations' Blur earlier in the year - which also supported Facebook and Twitter, which Hot Pursuit doesn't.
With a definite cops and robbers vibe to the gameplay, multiplayer in Hot Pursuit is always great fun. There is straight up racing, but the game is at its best when you've got two cops trying to take down six racers. I was slightly concerned that weapons would cause a kind of Blue Shell situation, unbalancing multiplayer races, but that has thankfully been avoided. This is largely down to most weapons being avoidable in some way, but also due to none of them being ridiculously overpowered.
Seacrest County is a beautiful location for driving the world's most powerful cars, with the routes showcasing some stunning vistas and an excellent variety of environments. Weather effects and changes in lighting (there's day and night here) help make the world feel believable too, while the cars themselves are all modelled to the level we've come to expect from games of this generation. Crashes are less destructive than those in Burnout, but they're still often quite spectacular, rife with car damage and plenty of barrel rolls.
What lets Hot Pursuit down is its relative simplicity and the lack of things to do. Missing almost completely is customisation, which has been a staple of the Need for Speed series for a long time - all you can do here is change the colour of your vehicle. There's also none of the collectibles and side objectives that made Burnout Paradise such a time sink. Yes, this isn't a Burnout game, but it doesn't feel entirely like Need for Speed either. The free roaming mode feels somewhat pointless at the moment, with absolutely nothing to collect, no stunt locations - nothing. Even if DLC includes side objectives, the county itself isn't as intricate as that in Paradise, made almost entirely of long freeways.
Despite feeling like a fusion of Need for Speed and Burnout, Hot Pursuit is still the most exciting title the franchise has seen in a long time. The core driving is never anything but exhilarating, visually it's almost flawless and the Autolog features are genre leading. There's still something missing, though. While the high-speed pursuits are up there with the best gaming experiences of the year, the game needs more than that: car tuning, a resemblance of a story - complete with cheesy acting - and a reason to explore the open world. Ultimately, Hot Pursuit could have done with a bit more Need for Speed and Burnout.