Buggy, boring and strangely tame, this isn't worth anyone's time or money.
A solo campaign that knocks the socks off the one from Wings of Liberty and a refined multiplayer mode are marred slightly by a reliance on the original game.
Tomb Raider is not a brave game. Nor is it one that’ll likely live long in the memory, but while you’re walking in Lara’s muddy size fours, it is spellbinding.
Another usual wit-and-humourless jaunt through nonsensical plotting, dumb enemies, and prescribed action, with only glimpses of the series' potential.
Colonial Marines is an uninspired, cynical cash grab with Syd Mead's and James Cameron's legendary designs propping it up.
Devoid of ideas, hung up on laborious combat and obsessed with making even the exciting seem boring.
Ron Gilbert's latest might have been on his mind for the last 30 years, but The Cave is a deft combination of old and new, classic and modern.
Aftermath feels more like an open-armed welcome back to the best online shooter out there. Going back into the Battlefield is as rewarding an experience as I’ve had online this silly season.
By the end of the game you'll be gleefully convinced that the only espionage arsehole is whichever masochistic sod invented some of these bloody levels.
No Time Left provides an emotional, tear-jerking and ultimately satisfying conclusion to the year's best gaming narrative.