The player, via the generically-named super spy Michael Thornton, is presented with a classic RPG moral conundrum. Extort the weapons dealer, a man who's been selling a lot of big bad guns to a lot of big bad people, then let him go and use him as a black market weapons contact in the future. Arrest him, which would curry favour with the CIA, the organisation which has assigned this mission to Thornton, or blow his brains out because, well, Mike Thornton is a bad ass and this guy has been asking for it.
Nathan Davis, the game's design producer, opens it up to the assembled throng, cobbled together in a tiny room in SEGA's behind closed doors booth at E3 2008. It's obvious what the audience wants. Thornton coldly puts a bullet in the weapons dealer's head. Rekindling memories of Jason Bourne, Daniel Craig's Bond and Tom Cruise in the first, actually pretty decent Mission Impossible film, Thornton starts Alpha Protocol, Obsidian Entertainment's (Star Wars: Knights of the Old Republic 2) upcoming secret agent RPG, as a green but very capable agent who ends up embroiled in a world conspiracy after a mission goes horribly wrong. He's a secret agent on the edge, and he's very pissed off.
Having ended the life of the weapons dealer Thornton now has to explain himself to the CIA. "Sorry - radio was on the fizz." he lies. "Don't get too upset, I probably just saved 100 lives just then!"
While this plot set up implies plenty of action, Alpha Protocol is at its core an RPG, so you can expect plenty of dialogue and character customisation to accompany the explosions and cover-based combat. What Obsidian is keen to push though is its take on the now popular dialogue wheel conversation system. Played out in real time, it uses 'emotive stances' to allow the player to choose how Thornton is going to react in any given conversation. We see it in action in an earlier level. He has three options as he approaches a marine who's guarding the US embassy in Moscow, a building he's charged with infiltrating: go around the side and sneak in; blast his way in, tearing through the marines and anyone else who gets in his way; or bluff his way in. Nathan decides to take the third option.
You'll be able to direct the conversation as you wish, sucking up to the guard or acting like a jerk. If you think the conversation is turning sour you can even draw your gun and take the marine out mid sentence. But Nathan's being patient and, after some initial stone walling, manages to talk his way in. "Each one of these choices has the possibility of affecting things in the short term and the game as a whole," says Nathan. It will be how these kinds of decisions impact the overall story and player experience that will set Alpha Protocol apart from other RPGs.
Inside the embassy, everything appears fine and dandy until a massive explosion makes mince meat out of a wall and another group, the G22, storm in. Here things kick off and we get an idea of how the game's combat works. The third-person over the shoulder cover-based system provides plenty of pop in and pop out moments, mixed in with up close and personal brutal melee attacks.
Thornton fights using Kenpo, which the player will be able to improve as they progress through the game. Combos, deadly and non-deadly can be unlocked, including take downs. We see him punch and kick as well as let fly some pretty nasty knees to the face.